Sermon, Oct. 13

From the introduction to Job by scholar and translator Robert Alter:
“The Book of Job is in several ways the most mysterious book of the Hebrew Bible. Formally, as a sustained debate in poetry, it resembles no other text in the canon…” (That means it’s not like anything else in the Bible!)

… “Theologically, as a radical challenge to the doctrine of reward for the righteous and punishment for the wicked, it dissents from a consensus view of biblical writers” – that means a lot of other Biblical texts assume that this is how things work, though there’s some grappling with it elsewhere too! – 

Alter again: That dissent is “compounded by its equally radical rejection of the anthropocentric conception of creation that is expressed in biblical texts from Genesis onward…” I’ll say more about that next week. Upshot: the world, the universe, were not created to serve humanity, we’re not the center of it all, as many other Biblical texts assume. (Alter, the Writings, p. 457) 

It’s a remarkable book in lots of ways! Who wrote it and when? … 

Part of the broad category of Wisdom literature in the Bible & across the the Ancient Near East. Texts from other cultures also struggling with why people suffer and what it all means, though Job has its own perspective. It’s Job’s friends that sound the most like other Wisdom literature texts, with their advice – “just turn from evil and do good” – while Job himself – and eventually God – push back. 

As is common in the wisdom literature, there’s very little here about Israel’s covenant history or the specific obligations of the Law. You could say that Job is a deeply faithful book but not a very religious book, per se, in that it’s not very interested in worship or practice. 

Dating: Linguistic evidence places it probably 500 years before the time of Jesus, give or take half a century or so. 

Beyond that: We know nothing about the author of the Book of Job. But Alter suspects – based on the quality of the poetry and the uniqueness of the voice – that this is one author, though the text has been altered and some portions were added later. 

Alter: “One should probably think of [this author] as a writer working alone— a bold dissenting thinker and a poet of genius who produced a book of such power that Hebrew readers soon came to feel they couldn’t do without it, however vehement its swerve from the views of the biblical majority.” (458) 

What’s the relationship of all this poetry with the preface we heard last week? – in which God brags about how pious Job is, and Satan says, He only worships you because you’ve given him everything he wants; let me at him and we’ll see how long it takes for him to turn from you!… 

Alter notes the “palpable discrepancy” between the frame story and the core text. He thinks this is a much older folktale that this author uses to set the scene and get us into the meat of what he really wants to explore – the experience and meaning of suffering. 

Ultimately it’s easy to set the folktale aside because you don’t need it. You don’t need a pissing context between God and Satan to have someone lose their home, their family, everything except their life. People face that kind of agony all the time. 

The book of Job is remarkable because it explores the meaning of suffering though tens of thousands of words of incredible poetry. Alter: “Its astounding poetry eclipses all other biblical poetry, working in the same formal system but in a style that is often distinct [both in vocabulary and images] from its biblical counterparts.”

Alter notes Job’s linguistic and metaphorical breadth and creativity – this author someone who’s really stretching the bounds of language in order to create incredibly rich expressive text. Think of Shakespeare, or Gerard Manley Hopkins. 

The book is also notable for its passages about nature, in some of Job’s speeches and especially in God’s response, which we’ll hear a tiny bit of next Sunday. This author is someone who paid close attention to the natural world, including the wild and frightening parts of it – not just a stroll through the garden. 

I’ve done a terrible thing in creating this script, by simplifying and clarifying the language. I did that because I wanted us to be able to easily hear and follow the debate about the meaning of Job’s suffering, which is often a little more elusive in the Biblical text. 

But go read some of the poetry of Job, sometime soon! 

Listen, now, to Job’s first few lines, in Alter’s translation: 

“Annul the day that I was born, 

And the night that said, “A man is conceived.” 

That day, let it be darkness. 

Let God above not seek it out, nor brightness shine upon it.

Let darkness, death’s shadow, foul it; 

Let a cloud-mass rest upon it; 

Let day-gloom dismay it. 

That night, let murk overtake it.

Let it not join in the days of the year, 

Let it not enter the number of months.

Let its twilight stars go dark. 

Let it hope for day in vain, 

And let it not see the eyelids of dawn.”  (3:2-9)

Alter says of Job’s poetry: “Anguish has rarely been given more powerful expression.” 

That amazing poetry isn’t for its own sake. It’s in the service of diving into the problem of theodicy. (Spell it) 

Theodicy: The problem of evil and suffering: how do we make sense of these things if we believe in a good God who is actively involved in the world? It is one of the big questions, and it’s the question at the heart of the book of Job. 

Job’s friends have lots of answers, but they’re not very satisfying. 

Working on the script: my attention drawn to the friend who tells Job, You just don’t know God. Questions his faith. 

But I think Job is the person with the strongest faith, here. 

With the friends, I almost wonder whether what they think is their faith in God, is actually a kind of naive belief in a clockwork universe where people get what they deserve. It doesn’t take a lot of sustained attention to reality to know that people don’t get what they deserve. But Job’s friends cling to this idea SO HARD: “You must have secret sins, because that’s the only possible explanation.” The thing about a moral universe like that – where everyone’s fortunes in life are determined by their behavior – is you don’t really need God to run it. You don’t even need AI; we were building computers that sophisticated by the 1960s. 

Job is the person here who sees reality most clearly. And Job is the person with the strongest faith, the deepest conviction that there is actually a God out there somewhere, even when he feels utterly betrayed and abandoned. The most familiar passage of Job for many folks comes from chapter 19. It’s used – without attribution – as one of the texts at the beginning of the funeral rite: “As for me, I know that my Redeemer lives and that at the last he will stand upon the earth. After my awaking, God will raise me up; and in my body I shall see God. I myself shall see, and my eyes behold the Holy One, who is my friend and not a stranger.”

This is beautiful. It’s also a paraphrase of the Biblical text, making it substantially more hopeful and tender towards God. 

Job is not tender towards God. Job is furious at God. 

He denies God’s justice, God’s compassion, God’s availability to humanity, period. And yet: Job is very, very sure that however distant and unresponsive God seems right now, God is. And he believes that he will, someday, get to see God with his own eyes. 

In working on this script, it was hard to end it, without resolution. 

We’re still in the middle of the book; there is more to come! But still, as a writer and as a pastor, I wanted to be able to offer some closure, some sense of grace and peace beginning to emerge. But one of the big messages of the Book of Job is, I think, that the point at which suffering resolves into meaning is often elusive. Sometimes terrible things stay terrible. No silver linings in sight. 

We know nothing about the author of the book of Job, but I wonder if we can reasonably guess that they had experienced great loss. And that this book is an expression of their conviction that God is present, even in the unthinkable. 

In November, I’ll invite folks to join me in a seasonal study group on prayer – what it is, what it can be. I’ve got a few things we might read and discuss: a lovely, light book by a friend that’s kind of an overview and introduction. A beautiful book about praying our way into Advent, with art and poetry. And I just ordered a brand new book called Rage Prayers. Sounds very promising! 

Job’s friends keep telling him to silence his rage prayers. That he can’t talk to God like that. But he can. We can. You can. Job refuses their rebukes, again and again – insists on his right to cry out to the Holy in anger and pain. One of the big gifts of this strange, difficult, beautiful book of the Bible is its utter conviction that prayer doesn’t have to be polite. That we can scream and weep and break things. That there’s nothing we can say or do that will make the Holy One turn away from us. 

God heard Job; God will hear you.